Create 2 Mini Clips from an Existing Project - After effects

@konradno

I can adapt your existing After Effects project into both broadcast formats while keeping the original animation structure, timing, easing and visual identity intact. The important part here is not rebuilding the animation, but carefully reworking the existing composition for 1920×1080 and the ultra-wide 1632×96 LED format without losing the premium automotive/sports-broadcast feel. I have 6+ years of experience in video production and work extensively with After Effects, motion graphics, 2D/3D animation and clean, refined motion. I can keep the logo proportions, pacing and transitions consistent while making the animation work properly in each aspect ratio. You can also check the relevant motion graphics and animation work on my profile. If you share the existing After Effects project, I can review the structure and adapt both versions accordingly.

@rajat07me

The key here is not “making two AE videos,” it’s preserving the exact motion character of the existing piece while adapting it cleanly for a 16:9 screen and a very narrow LED ribbon. That second format can look cheap very quickly if spacing, logo scale, and timing are not handled carefully, so I’d work from your prepared project and refine each output around readability, safe composition, and broadcast polish rather than rebuilding or over-stylizing anything. I’ve handled AE adaptation work where the main challenge was keeping the original visual identity intact across different aspect ratios and display conditions. For sports/broadcast-style motion, the difference is usually in restraint: clean easing, controlled transitions, and making sure the premium feel survives the export, not just the timeline preview. If helpful, I can also keep the project neatly labeled so future edits stay easy. - Will you provide the existing .aep with all linked assets collected? - For the LED ribbon version, do you want a direct crop/recomposition of the main animation, or should certain elements be simplified for readability at 1632 × 96? - Do you already have any broadcaster/venue playback specs beyond MP4 and 60 fps?

@TheDesignBloke

Hello, I reviewed the requirements, and the core challenge is adapting the existing After Effects animation into two very different broadcast formats without losing the original timing, easing, proportions, or premium automotive/sports visual identity. I would work directly from the supplied project, preserving the existing animation structure and visual language while carefully reframing and adjusting the composition for 1920×1080 and the ultra-wide 1632×96 LED ribbon format. I have worked on similar After Effects, broadcast graphics, automotive visuals, motion design, and format adaptation projects and can share relevant examples once we connect in chat. Best Regards, Muskan

@om242

Hi, I can help you adapt the existing After Effects project into both formats while keeping the original animation, timing, and overall visual style intact. I’ll make sure both versions look clean, smooth, and premium without adding unnecessary effects or changing the original concept. I’m comfortable working with broadcast/sports-style animations and can start right away. Will deliver both final MP4s along with the organized AE project. Thanks!

@Inshaalali2

Hi there, I am excited about the opportunity to work on your project to create two mini broadcast clips in After Effects. I understand the importance of preserving the original visual identity and structure while adapting it to different formats. I will ensure that the existing main animation and visual concept are maintained, focusing on clean editing, smooth motion graphics, and a professional aesthetic. My approach will involve careful attention to detail, maintaining the original animation structure, timing, and logo proportions. I will work on delivering two identical clips that are refined, premium, and suitable for professional broadcast and LED display use. I look forward to discussing the project further and am ready to collaborate on bringing your vision to life. Best regards, Inshaal Ali

@mqazi1000

The main risk here is breaking a polished existing animation while forcing it into two very different broadcast formats. I’ll keep the motion language intact and adapt it with a clean eye for framing, spacing, and broadcast-safe finish. I’ll take the existing After Effects project and shape it into both outputs: 1920 × 1080 at 60 fps for the large screen, and 1632 × 96 at 60 fps for the LED ribbon. That means preserving the original timing, easing, logo scale, and overall automotive sports-broadcast feel, while making sure the lower-corner version stays sharp, readable, and controlled at that extreme strip ratio. No flashy transitions, no overdone motion, just refined movement that still feels premium. - 2 final MP4 clips - Organized After Effects project handoff - Broadcast-ready versions for both formats You can review my previous work here: https://www.freelancer.com/u/mqazi1000 What is the current project format and structure in After Effects?

@shahzain02

HI, I’d love to adapt your existing After Effects project into the two required broadcast formats while preserving the original visual identity, animation structure, timing, easing, and logo proportions. With 5+ years of professional experience in After Effects and motion graphics, I can refine the existing animation rather than rebuilding it from scratch. I’ll create both the 1920×1080 60fps large-screen version and the 1632×96 60fps LED ribbon/lower-corner version, carefully adapting the composition so the motion remains clean and premium in each format. I’ll maintain the professional automotive/sports-broadcast aesthetic and avoid unnecessary effects, excessive glow, bounce, or generic transitions. I’ll deliver both broadcast-ready MP4 files along with a properly organized editable After Effects project. Best regards, Shahzain

@MADTechUK

Hey, I reviewed the brief, and the core challenge is adapting the existing After Effects animation to two very different broadcast formats without losing the original timing, easing, proportions, or premium visual identity. I would work directly from the prepared project, preserving its animation structure while carefully reworking composition, positioning, and visual hierarchy for the 1920 × 1080 and ultra wide 1632 × 96 formats. I would also ensure both outputs maintain smooth motion and the restrained automotive and sports broadcast aesthetic without introducing unnecessary effects or template style transitions. I have worked on similar After Effects broadcast and motion adaptation projects and can share relevant examples once we connect in chat.

@GridsmithLTD

Hello, Since the After Effects project is already prepared, I’d focus entirely on adapting and refining the existing animation rather than rebuilding anything unnecessarily. I can preserve the original structure, timing, easing, logo proportions, and premium automotive broadcast aesthetic while adapting the composition cleanly for both formats. The 1920 × 1080 version can retain the full visual composition, while the 1632 × 96 LED ribbon requires careful restructuring so the animation remains readable and balanced within the extremely wide format. I’ll maintain smooth motion without excessive effects or generic transitions and deliver both broadcast ready MP4 files along with a properly organized After Effects project. Could you share the existing After Effects project and reference output so I can review the current animation structure?

@ProfessorVats

I can certainly handle your two mini broadcast clips and ensure they maintain your original visual identity—first cut in 24-48 hours. I will precisely adapt your project to the 1920x1080 60fps large screen format and the unique LED ribbon dimensions using After Effects' composition scaling tools. Do you have the original project files and any specific motion easing requirements ready for me?

@Joya1996

The biggest risk in this kind of job is losing the original broadcast feel when squeezing the same concept into a ribbon-sized format. Since your project is already prepared, the right approach is to preserve the motion structure and visual discipline you already have, then adapt composition, spacing, and hierarchy so both outputs feel coherent and premium rather than “resized.” I do this kind of finishing work in After Effects with a focus on clean motion and controlled styling, especially where brand identity and screen format matter more than visual gimmicks. Automotive and sports-led graphics usually benefit from precision: refined easing, stable logo handling, and exports that hold up in actual playback conditions. I can also return the project in a tidy structure so future revisions are straightforward. - Does the existing animation already contain all final text/logo elements, or will anything need to be swapped during adaptation? - Should both clips stay fully identical in timing, or are minor timing trims acceptable to suit the 15s vs 20s durations cleanly?

@alirashdi26

Hey , I just went through the project description, and I see you are looking for someone experienced in Video Editing, Video Processing, Video Post-editing, 3D Animation, After Effects, Motion Graphics, Animation, Video Production, Broadcast Engineering and Video Services. It instantly reminded me of a client who faced similar challenges, and I knew I had a tailor-made solution for it. Please review my profile to confirm that I have great experience working with these tech stacks. While I have few questions: • Is there anything else you’d like to add to the project details? • What’s the top hurdle you’re facing with this project? • What is the timeline to get this done? Why Choose Me? 250+ Projects. 5 Years. Zero Misses. My reputation is built on a single metric: Flawless Execution. While others promise quality, my last 100+ consecutive 5-star reviews prove it. I don’t just finish the job; I set the standard. The portfolio here is just the tip of the iceberg. To respect client confidentiality, my recent heavy-hitters aren't public, but I can share them 1-on-1. Regards, Ali .

@Nobdymine

Am younger and truly appreciate the opportunity if given to me amd i wont let u down. I promise to done the video has wanted

@kristelaguilera2

Hi, I hope that your are very nice, this project its my speciality. Write me for inbox. Can you give me details for working righ now.

@ranjika08

Your brief is really about consistency more than animation volume: two short clips that feel like the same premium broadcast piece, with the original timing, easing, and logo treatment preserved across two very different canvases. I’d adapt the existing project carefully instead of reworking the concept, with extra attention on the LED strip version so it stays sharp, balanced, and readable without relying on flashy effects. I’ve worked on motion-graphics edits where the source project was already built and the value was in finishing properly: recomposing layouts, protecting brand proportions, and keeping movement smooth enough for a polished automotive/sports feel. That kind of job needs a careful hand more than “more effects,” which matches what you asked for. A small plus on my side is that I keep AE files organized for handoff, not just exported and forgotten. - Is the existing project already set up at 60 fps, or will this need timing adjustments during export/adaptation? - For the lower-corner/LED version, are there any no-go zones or fixed margins from the display operator?