Houdiniemplois

Je cherche un artiste 3D expérimenté sur Houdini pour modéliser et animer une scène de vieux grenier avec des jouets en fer blancs. Ce projet nécessite des compétences en modélisation et en animation. Exigences clés : - Modélisation précise de vieux jouets en fer et d'éléments d'environnement de grenier - Animation réaliste de la scène Les propositions de projet détaillées sont requises dans les candidatures.

...computational, not neon or psychedelic. Motion should be slow, controlled, and deliberate. No elastic easing, no wobble, no particle effects. The fluid must feel intelligent and engineered rather than chaotic. I already have texture maps and surface references prepared and would like those applied precisely so the final result stays fully on brand. Software You may work in Blender, Cinema 4D, Maya, Houdini, or another professional 3D package, as long as the final outputs meet the requirements below. Deliverables A high-resolution, loop-ready video suitable for website hero sections and presentations. A lightweight version for social media, either as a short MP4 or GIF. All project and source files so I can make minor tweaks later if needed. Timeline This animation will be...

...abstract composition built from original, custom 3D shapes that will serve as the hero artwork on a website. Because this piece will live online, I care as much about lightweight, responsive files as I do about visual impact: smooth gradients, subtle lighting, a sense of depth, and a color palette that feels contemporary without overpowering the page. You’re free to model in Blender, Cinema 4D, Houdini, Maya—whatever you’re most comfortable with—so long as the final renders are crisp at 2400 px wide and can be optimized for web display. Please deliver the finished static image in both PNG and WebP, along with the native 3D scene (textures included) so I can explore future motion or interactive uses. Key deliverables • Hero image, 2400 px wide, in PN...

I have a fully animated dragon sequence that needs a Houdini-driven fire-breathing pass suitable for a feature-film composite. The brief is straightforward: one continuous exhalation of flames that feels physically plausible, with rich temperature variation, secondary heat ripples, and natural smoke roll-off. I am aiming for the kind of highly realistic Pyro look you would expect in a modern VFX pipeline—think Scales vs. Knight-type quality, not a stylised or game-ready shortcut. The creature animation will be delivered to you as an Alembic cache together with camera tracks and a low-res body proxy. You can work in Houdini 19 or 20; PyroSparse or the classic Gas model is fine as long as you keep voxel efficiency in mind. Lighting should stay neutral—our final g...

...blending realistic 3D animation with seamless AI enhancements so viewers instantly grasp the value of the site. The core concept, script, and brand guidelines are ready; what’s missing is the production magic. I’m counting on you to handle AI character generation, environment creation, animation, voice-over sync, sound design, and final compositing. Whether you prefer Blender, Unreal Engine, Houdini, RunwayML, or a similar AI toolchain, I only care that the end result looks photo-real, flows smoothly, and tells the story without feeling like stock footage. Key points for success • Runtime: exactly 3:00 (±2 sec for fades) • Aspect ratio: 16:9, 4 K master, delivered in MP4 (H.264) • Style: realistic lighting, subtle motion-graphics overlays...

...script the moment we start. From there, I’ll count on you to handle: • Modeling or adapting realistic characters, props, and environments • Rigging and smooth, believable character/object motion • Lighting, texturing, and camera work that sells the realism • Final render (1080p or higher) plus delivery of the editable project files Any professional 3D suite is fine—Maya, Blender, 3ds Max, Houdini, unreal engine 5—so long as you can match a polished, film-ready look. End deliverables include: the finished video (under 60 seconds), project files, and any texture/plugin libraries used. When you bid, please share examples of short realistic pieces you’ve completed, note your preferred software, and outline the timeline you’d ...

...larger media project, so seamless realism is critical. Here’s the flow I’m envisioning: once we lock a short brief and rough storyboard, you’ll develop the environment, populate it with believable foliage, terrain, and natural FX (wind, water, subtle wildlife movement), then animate the camera and key objects or characters to match the story beats. I’m happy for you to work in Blender, Maya, Houdini, Unreal Engine, or whichever pipeline you prefer—as long as the result is photo-real and easy for me to composite into the rest of the film. Deliverables I need from you: • Storyboard/animatic for sign-off before full production • All scene assets (models, textures, lighting rigs) in your native project format • A final 4K render (P...

...straight compositing job—no need to build new 3D assets unless you prefer to generate custom elements for realism. The plates are camera-tracked and supplied as EXR and ProRes files. I’ll send you reference clips and a timing sheet so you know exactly when each explosion blooms and where the flying particles should drift. Use whatever you’re most comfortable with—After Effects, Nuke, Fusion, or a Houdini render—so long as the final shot feels grounded in our real environment, with accurate lighting, shadows, and color matching. Deliverables • Final 4K ProRes 4444 shot with VFX baked in • All project files and comps (layered, organized, no missing plugins) • A short before/after breakdown for approval Acceptance criteria: flame...

...presentation. The visual must feel realistic—think physically-based shading, believable particle motion, and camera angles that would fit seamlessly beside CFD stills or lab footage. What matters most is the flow direction. I want viewers to grasp, at a glance, where the plume originates, how it curls around obstacles, and the pathways it follows in open air. You are free to use your preferred tools—Houdini, Blender, ParaView, or any CFD-to-3D pipeline—so long as the final render convincingly depicts real-world behavior. Deliverables • 20–60 second 1080p (or higher) MP4 showing the complete sequence • Still frame at a key moment for the presentation slide • Source project or alembic cache for future edits (optional but apprec...

... so think towering swells, wind-whipped whitecaps, rolling spray, and convincing foam interaction with the rain-lashed surface. Nothing stylised; I’m after hyper-realism with physically accurate shading, refraction, and particle mist, lit as if under an overcast sky with flashes of lightning in the distance. Please run the full minute as a continuous, seamless simulation. You are free to use Houdini, Blender (Mantaflow or Flip Fluids), RealFlow, Embergen, or any proven toolchain, as long as the result holds up in 4K close-ups. Deliverables • Final 60-second render in ProRes 422 or high-bitrate H.264 • Frame sequence (OpenEXR 16-bit) for compositing • Project files and caches so I can re-light or re-time if needed Acceptance criteria: the waves must...

I’m developing a set of pure-entertainment 3D videos and need an animator who excels at photoreal work. Think lifelike c...detailed environments—everything that keeps the viewer immersed for fun alone. What I’ll provide: the storyline, reference boards, and any voice-over or music tracks. What I need from you: all modelling, texturing, rigging, animation, lighting, rendering, and a final edit delivered in MP4 (1080p or 4K) plus the original project files. Industry tools such as Blender, Maya, 3ds Max, Cinema 4D, or Houdini are all fine as long as the result looks real. Two review rounds are included in the schedule so we can polish timing and visual fidelity. If you have a strong reel of realistic 3D work and can handle the full pipeline end-to-end, let’s...

I want to tell a short, word-free story in exactly ten seconds: 1) a universe of little shapes, words, symbols and lines moving slowly but chaotically. 2) After aro...design that reinforces the sense of contraction • Source project files so I can revisit or re-grade later Acceptance criteria • Every visual element above is clearly present and flows without cuts or stutters • The final frame shows only the polished 3D sphere, no additional graphics • Audio is free of clipping and balanced for online playback Feel free to build in Blender, Cinema 4D, Houdini, After Effects or any pipeline that delivers a crisp, cinematic result. If you have past surreal motion-graphics work, please attach a sample. Let’s make this brief journey from infinity to ...

I’m preparing a high-energy commercial spot and need a single, photoreal explosion built from the ground up in Houdini. The effect must feel completely believable—dense fire, rolling smoke, subtle debris—and sit naturally against live-action footage I’ll supply once we start. Here’s what I’m expecting: • Houdini-based Pyro simulation tuned for realism, with physically accurate scale, motion blur and shading. • Clean, well-labeled .hip file so my team can study or adjust the network later. • Final deliverables: VDB caches (or if you prefer), a beauty EXR or ProRes render pass with alpha, plus a low-res preview for quick review. • The effect will ultimately be comped over 4K plates, so consistency in exposure, col...

I’m putting together a pure-entertainment 3D animation and need an artist who can take the project from first key-frame to final render. All modelling, rigging, lighting, effects and post work should serve ...that plays smoothly on standard HD screens. I’ll supply the basic concept and running time once we connect; you’ll translate that into a complete animated sequence, handle any needed revisions, and deliver the finished video file along with the editable project assets. When you reply, keep the focus on your hands-on experience—titles you’ve worked on, tools you prefer (Blender, Maya, Cinema 4D, Houdini, Unreal, etc.), and anything that shows you can craft polished entertainment content end-to-end. No lengthy proposals needed; a concise note and l...

...appreciate build quality and maintenance access. • Timber unloading process: each log’s transfer path from ship hold to storage bay, including palletising or conveyor integration if required later. Physics and technical accuracy Weight transfer, crane swing, cable tension and ship stability must all look believable. Please apply practical physics inside your toolchain—Blender, Maya, 3ds Max, Houdini, or an equivalent—to avoid exaggerated or “floaty” motion. Water interaction can stay visually simplified, but the vessel must sit in the berth at a credible draft throughout. Deliverables 1. One polished 1080p (or higher) MP4 video, 180-300 seconds, ready for presentation. 2. High-resolution still frames for slides, especially of the robot...

...the plot. • High-quality visuals that can stand beside real cinematography—sharp 4K frames, cinematic lighting, depth of field, and natural camera movement. • Realistic movement and facial detail so viewers never feel they’re watching synthetic actors. I’m happy for you to use whatever blend of tools you work best with—Runway, Stable Diffusion, Midjourney, ComfyUI pipelines, custom LoRAs, Houdini, DaVinci Resolve, you name it—as long as the final result is seamless. Traditional techniques such as rotoscoping, motion-capture clean-up, or compositing in After Effects are all fair game if they polish the realism. Deliverables 1. A completed short film (HD or 4K, 24 fps, H.264 or ProRes). 2. All prompt files, project files, or node gr...

...prefer a true-to-life look closer to documentary visualizations than to cartoon styles. Subtle camera work, believable physics, and accurate proportions are important because the visuals must reinforce technical concepts rather than distract from them. Typical runtime per piece is 2–4 minutes, delivered in 4K and a clean alpha-ready version when overlays are needed. Blender, Maya, Cinema 4D, Houdini, or any comparable professional toolset is fine as long as the output meets these quality standards and you can share the project files for archiving. Audio beds and narration will be provided separately; syncing to voice-over and adding simple on-screen text callouts are part of the final hand-off. I’m planning a long-term collaboration, releasing new lessons every few ...

...naturally in the plate, with consistent grain and colour space; think invisible VFX that simply make the show look expensive. Also I want the final editable project file and also the final video exported file We grade and finish in Adobe Premiere Pro, so please return 32-bit DPX or ProRes 4444 renders with matching time-code. Whether you comp in Nuke, Blender, Maya, Fusion, After Effects, or Houdini is up to you—as long as project files stay organised and editable for future seasons. Deliverables • A full-length master (30 min) with all VFX in place • Shot-by-shot renders or pre-comps aligned to the original timeline • Clean, well-labelled project files and assets The episode will be approved once composites are seamless, colour-matched, and true...

...energetic camera work that mirrors action-orientated game cinematics • Colourful, game-inspired VFX integrated seamlessly with the characters and environment • Thoughtful comedic timing—beats must hit exactly where scripted Deliverables • 30-second 1920×1080 final render (H.264 or ProRes) • Separate EXR or PNG sequence for UI layers so text remains editable • All project files (Maya, Blender, Houdini or equivalent) organised and labelled • Three review checkpoints—blocking, spline, lighting/FX—sent as playblasts for feedback Acceptance criteria • Every shot matches the supplied timing sheet within ±2 frames • Expressions and body poses read clearly on first watch • Magic FX and UI overlays...

...producing a scene that shows an 18th-century slave ship fighting to outrun an oncoming hurricane, and I need it brought to life through a realistic, historically faithful animation. The rigging, hull proportions, clothing, lighting, even the way the sails strain in the wind all have to line up with period references; drama is welcome, but accuracy is paramount. You can work in Blender, Maya, Houdini, Unreal Engine, or a comparable pipeline—whatever lets you deliver a clean 4 K render and the full project files. I’ll supply research notes and reference images as soon as we start. What I’m looking for: • Real-world scale modeling, texturing, and lighting that match late-18th-century Atlantic slave ships • Believable hurricane water, wind, and cloud F...

I need a high-end 60- to 90-second 3D animated explainer that introduces Bassemo, my consultancy dedicated to turning strategy into execution. The piece opens in an abstract three-dimensional space with the Bassemo logo, then seamlessly morphs into th...professional, innovative, corporate tone that builds trust, conveys reliability and leaves viewers inspired to act. Deliverables • A master 16:9 version in high-quality MP4 • Native cuts for 1:1, 4:5 and 9:16 formats (same quality) • Five standalone clips, one for each pillar • The editable project files (if possible) so future updates are painless If you work in Blender, Cinema 4D, Houdini or another advanced 3D package and can keep the storytelling crisp while meeting the technical specs above, I&rsq...

I need now is everything visual and audio that brings it to life. The film has a light-hearted, cinematic tone similar to modern studio releases, so high-quality modelling, expressive character rigging, fluid animation, rich texturing, lighting, and polished final renders are essential. I’m happy to discuss preferred software, but experience with industry-standard tools such as Blender, Maya, Houdini, or Cinema 4D—and a solid real-time or offline rendering pipeline—will be key. Because this is a full-length project, we will break the work into clear milestones. Here’s how I see the flow: • Pre-production: concept art, storyboards, animatic • Asset build: characters, props, environments, rigging, shaders • Production: animation, camera la...

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...polished 3D animation that shows the item from every meaningful angle—exploded views, close-ups of key features, slick lighting, the works—followed by several short ad reels cut from (or inspired by) that master file. The sole objective is product promotion, so every second on screen needs to highlight benefits and spark desire. You are free to choose your favourite tools—Blender, Cinema 4D, Houdini, Maya, After Effects—as long as the final look feels premium and the files you hand over are fully editable. I will supply CAD models, reference photos, brand colours, and copy lines. Sound design, simple captions, and subtle motion graphics that reinforce the message are welcome additions. Deliverables: • Main 3D product animation, 30–45 seconds, ...

...animated short film created purely for entertainment, and I need the full animation pipeline brought to life—from concept layouts through final composite. All work must stay within a stylized look rather than photorealism, so a strong sense of design and exaggerated motion is essential. You’ll be free to choose the tools you know best; Maya and Blender are already in the current workflow and Houdini or After Effects can slot in for VFX and compositing if you prefer. What matters most is delivering polished character animation, expressive lighting, and seamless effects that feel cohesive with the art direction. Key deliverables • Fully rigged characters and environment assets in a clean, well-layered scene file • Animation passes (blocking, splining...

I am looking for a highly skilled 3D artist to create a detailed object model for product visualization and documentary use. Requirements: Must be proficient in Blender or any industry-standard 3D software (Maya, 3ds Max, Cinema4D, Houdini, etc.) Ability to create highly detailed and realistic models Experience in product visualization, architectural modeling, or mechanical/transport modeling Ideal Skills & Experience: Strong portfolio showing previous work on complex objects, such as: Aircraft / spacecraft Trains and metro transport Vehicles and industrial machinery Buildings, structures, and architectural assets Excellent skills in texturing, UV unwrapping, and materials (PBR preferred) Ability to meet deadlines and follow reference images

...environment design, rigging, animation, lighting, and sound design through to the final master file, ready for upload in 1080p or higher. • Music, effects, and dialogue mixed to broadcast-quality levels, with all usage rights cleared. I value smooth pacing, expressive characters, and polished rendering—think hip kids’ TV quality rather than quick mobile loops. If you work in Blender, Maya, Cinema 4D, Houdini, or an equivalent pro toolset, that’s perfect; just let me know your pipeline so we can keep revisions straightforward. Once we agree on a concept, please outline your milestones (storyboard, animatic, first render, final pass) and the typical turnaround for each stage. I’ll provide prompt feedback so you can keep momentum. When you reply, dr...

Key...infographics, and other dynamic elements for video projects. ● Color Correction & Enhancement: Adjust color, lighting, and visual style to match project requirements. ● Template & Asset Management: Develop reusable After Effects templates and manage project assets for efficiency. ● Required Skills ● Expert proficiency in Adobe After Effects. ● Hands-on experience with industry-standard software such as Houdini, Nuke, and Maya. ● Familiarity with other Adobe Creative Cloud tools (Premiere Pro, Photoshop, Illustrator). ● Strong understanding of compositing, keyframing, and animation principles. ● Ability to create and use After Effects templates and expressions. ● Attention to detail and ability to work under tight deadlines. ● Good communication and teamwork skills&qu...

Key...infographics, and other dynamic elements for video projects. ● Color Correction & Enhancement: Adjust color, lighting, and visual style to match project requirements. ● Template & Asset Management: Develop reusable After Effects templates and manage project assets for efficiency. ● Required Skills ● Expert proficiency in Adobe After Effects. ● Hands-on experience with industry-standard software such as Houdini, Nuke, and Maya. ● Familiarity with other Adobe Creative Cloud tools (Premiere Pro, Photoshop, Illustrator). ● Strong understanding of compositing, keyframing, and animation principles. ● Ability to create and use After Effects templates and expressions. ● Attention to detail and ability to work under tight deadlines. ● Good communication and teamwork skills&qu...

...a high-poly standard suitable for close-up shots. Think displacement-ready geometry, 4K maps, clean UVs and a topology that can animate without artefacts. • Alongside the model, you’ll craft the surrounding VFX sequences—explosions, energy pulses, sparks and light-interactive particles—so everything reads convincingly in motion. I’m flexible on tool choice; whether you’re most comfortable in Houdini, Blender (Geometry Nodes), Maya with Bifrost, or Niagara inside Unreal, as long as the final look is cinematic, I’m happy. • I’ll be rendering in Unreal Engine, so final assets (FBX/ABC for the mesh, Niagara or baked VDB assets for the effects) should import cleanly there. If you prefer to stay in another DCC, provide clearly nam...

...into a crisp macro of the product, then pull apart in a 3D exploded view that reveals the roller ball, glass vial, and botanical blend inside. The lifestyle imagery carries the story; the 3D sequence cements product credibility. I’m picturing airy natural light, subtle text overlays with the scent names, and a seamless match cut between live-action and CGI. If you work in Blender, Cinema 4D, Houdini, or a comparable package, that’s perfect—just keep the models native so I can make texture tweaks later. I will provide you with 3d files of the product Deliverables • 30–45 sec master video in 4K (16:9) plus a vertical cut-down for reels/stories • Editable project files, textures, and audio stems • One high-res still per scent (usef...

...unique, high-fidelity 3D head models. The set must cover a wide range of camera angles, lighting conditions, and facial gestures so that I can feed them directly into a face-swapping app. Photorealism and anatomical accuracy are critical; I’m looking for pore-level detail, clean topology, and balanced UVs that can stand up to close-ups. Workflow is entirely up to you—Metahuman, ZBrush, Blender, Houdini, or a well-tuned photogrammetry pipeline—but the final assets have to be delivered in a standard, face-swap-friendly format (FBX or OBJ with 4K textures). Each model should: • Represent the same identity while clearly varying pose, expression, and lighting • Include diffuse, normal, roughness, and specular maps • Be watertight, with organized ...

...polished 3-dimensional animated video turned around in under a week. The script and storyboard are ready to share as soon as we start, so what I’m really looking for now is an animator who can handle modeling, texturing, lighting, and rendering on a tight schedule without sacrificing quality. Please focus your bid on the depth of experience you have with 3D tools such as Blender, Maya, Cinema 4D, Houdini, or similar, and let me know how you normally streamline your workflow to hit fast deadlines. If you can point to a few recent projects that demonstrate crisp visuals, smooth motion, and effective storytelling, that will help me gauge fit quickly. Deliverables I expect at hand-off: • Final video in 1080p (H.264 .mp4) • Project source files (so I can make futur...

...storyboards, and style frames; your task is to design and composite CG elements and effects that feel invisible to the viewer yet unmistakably premium to the brand team. The workflow is straightforward: track the live-action footage, build or source any CG assets required, composite, color-match, and deliver 4K master shots ready for my editor. Whether you prefer After Effects, Nuke, Blender, Houdini, or a mix, I’m fine—as long as what you hand over is clean, organized, and broadcast-ready. Deliverables • Final 4K UHD shots (ProRes 4444 or agreed format) • All project files and intermediate passes neatly organized • A brief breakdown of each effect so our in-house colorist can pick up if tweaks are needed Acceptance criteria: seamless int...

I’m gearing up to unveil a premium product and need a 20-second (+/-1 sec) CGI spot that feels clean, minimalistic, and unmistakably high-end. The piece must speak to professionals aged 25-45 an...create • Two high-resolution stills for thumbnails and promo banners Acceptance criteria • Matches the minimalistic, sleek aesthetic and the cinematic polish shown in the references • Clearly conveys innovation and modernity without exceeding 21 seconds total runtime • All visuals, music, and SFX are properly licensed or royalty-free Let me know which 3D/CG tools (Cinema 4D, Blender, Houdini, After Effects, etc.) you’ll use and share a couple of comparable pieces you’ve produced. Looking forward to collaborating on a launch video that fee...

...proportions, natural motion, and believable lighting—so viewers focus on the content rather than the artistry. I will provide the script, reference images, and learning objectives as soon as we start; your role is to turn that into a polished sequence, handling modeling, texturing, rigging, animation, lighting, and final render. Any professional pipeline is fine—Blender, Maya, 3ds Max, Cinema 4D, Houdini—so long as the finished video is export-ready for online delivery and you can share the editable scene files. Deliverables • Full-resolution animation (1920×1080 or higher, H.264/ProRes) • Native project file with all linked assets and textures • One short preview clip for interim review Acceptance criteria • Realistic aestheti...

...24 fps), rough edit references, and a timing sheet that marks where each effect should trigger. I’m aiming for natural interaction with the environment—splinters from tree trunks, dirt bursts from the ground, heat distortion around the blast, and lingering smoke that reacts to the ambient light. Please composite with whatever toolset suits you best—After Effects with Red Giant or Element 3D, Houdini, Blender, Nuke—so long as the final composites match color, grain, and motion of the source. Deliverables • Finished, fully composited shots in 4 K ProRes • Separate VFX layers/passes for bullets, explosions, and smoke • All project files so I can make minor timing tweaks later • One revision round after I review the first render If...

...animator or studio that can take it from script to final render—character modeling, rigging, texturing, lighting, voice-sync, and post-production all included. The finished film should feel cinematic rather than “cartoony,” with realistic motion, expressive facial animation, and polished visual effects. I’m open to whichever software pipeline you’re most comfortable with—Blender, Maya, Cinema 4D, Houdini, Unreal Engine—so long as you can deliver a high-resolution master plus any project files I may need for future edits. Target length, exact art style, and asset lists will be locked down together during pre-production. I’d like to see a rough animatic within the first month, a near-final cut by the second, and the fully mastered m...

I’m producing a series of punchy 3D animations that run no longer than sixty seconds each and need a skilled animator to bring them to life. The work is s...off before the final render • Delivery of a ready-to-publish MP4 (1920×1080, 24 or 30 fps) plus the editable project files Acceptance criteria • Final runtime under one minute • Smooth, on-model animation with clean transitions • No visible artefacts, flicker or unexpected frame drops • Audio (if included) perfectly synced Let me know which software you prefer—Blender, Maya, Cinema 4D, Houdini, or another package—and share at least one sub-60-second reel piece that shows what you can do. Turnaround and clear communication are key, so if you’re fast, organised and p...

...(16:9) - Videos should be adapted properly, not simply cropped - One round of minor revisions included - Final files in MP4 or MOV format References - High-end perfume ads (Dior, Amouage, Initio, Byredo) - Crystal / gemstone-inspired visuals - Cinematic lighting and realistic materials Proposal Requirements - Portfolio with realistic 3D product work - Software used (Blender, Cinema 4D, Houdini, Unreal, etc.) - Timeline and price quote - Experience with multi-format outputs (vertical & horizontal)...

...Dominant forms: Organic—think undulating surfaces, flowing clusters, or other biomorphic motion The audio is ready; I’ll provide the final WAV so you can sync camera cuts, lighting cues, and any particle or fluid simulations to key moments in the song. As long as the end result is smooth, fully rendered, and matches the vibe above, I’m flexible on whether you prefer Blender, Cinema 4D + Octane, Houdini, or another toolset. Deliverables at hand-off 1. A 1920×1080 (or higher) master in H.264 or ProRes 2. The editable project files with any texture maps, caches, or plugins clearly organised 3. Up to two rounds of minor tweaks once the first draft is delivered I’ll be reviewing submissions based on how well your previous abstract work captures atmosph...

...fundan con el material live-action. • Motion tracking preciso para anclar los assets 3D en cámara en tomas con movimiento complejo. Entrego el metraje original en alta resolución, referencias de arte y el guion técnico. Necesito que me devuelvas, por cada clip: el archivo compuesto, un render limpio con canal alfa y los proyectos editables (idealmente en tu paquete de confianza: Blender, Maya, Houdini, After Effects, Nuke, etc.). Acepto un flujo de trabajo flexible siempre que respetemos estos criterios de entrega: 1. Los 8 clips deben quedar listos para color final. 2. Escenas sin flicker, sin edges visibles y con grano igualado al footage. 3. Archivos organizados y nombrados para facilitar futuras revisiones. Si te interesa sumar un corto...

I’m building a complex, simulation-focused project in Unreal Engine and want every square metre of the world to be generated on-the-fly. I’ve laid the conceptual groundwork but now need an expert who can both jump in and build key systems and sit with me t...screen-shares where you walk me through how to navigate the Blueprints/C++, discuss best practices, and answer questions about the engine’s tools. Acceptance A small prototype level that demonstrates the systems above, plus clear commentary (in-code or doc) so I can replicate the workflow. When you respond, focus on your Unreal Engine experience—especially procedural generation, World Partition, Houdini-Engine, or any custom tooling you’ve created. No lengthy proposals needed; proven experience ...

...crucial so the fabric’s weave and sheen read clearly in close-ups. I will overlay this animation onto other marketing videos, so please provide an alpha-ready render at 1920×1080 along with a standard video file; we can finalise the exact codec once the simulation is approved. The sequence should run about 5–8 seconds—long enough to feel elegant without dragging. You’re welcome to work in Blender, Houdini, Cinema 4D, or any comparable cloth-simulation tool, rendering with Cycles, Redshift, Octane, or another physically based engine. When you reply, include a brief outline of your cloth-dynamics approach plus samples of any similar logo or fabric reveals you’ve handled before. Acceptance criteria: • Cloth movement feels authentic under...

I have nine individual effects shots that must be completed and rendered in Maya and/or Houdini before 17 December. All scenes, storyboards and camera moves are already locked, so you can dive straight into production without waiting on additional layout or scripting. The finished pieces will be slotted into a film-level VFX pipeline and, in a few cases, repurposed as real-time assets for a game prototype as well as for classroom demonstration, so clean, well-commented project files are essential. Key expectations • Seamless integration with the provided plates or Alembic caches, matching my existing lighting and color-space settings. • Physically believable simulations and final look that hold up on a 4K cinema screen. • Node networks and outliner hierarchi...

I'm looking for a skilled 3D artist to texture a character model. The model is intended for print and 3D rendering, and requires a high level of detail and realism. Key Requirements: - Realistic texturing for 3D characters - High-resolution texture maps - Expertise in software like Mari, ZBrush, Houdini - Attention to detail in the skin - Ability to meet deadlines and communicate effectively Please provide a portfolio showcasing similar work.

I'm looking for a skilled 3D artist to texture a character model. The model is intended for print and 3D rendering, and requires a high level of detail and realism. Key Requirements: - Realistic texturing for 3D characters - High-resolution texture maps - Expertise in software like Mari, ZBrush, Houdini - Attention to detail in the skin - Ability to meet deadlines and communicate effectively Please provide a portfolio showcasing similar work.

...crumble into small stone-like fragments, those fragments must then break down into dust, and the dust should drift away until nothing remains and the frame is empty. The whole sequence needs to run smoothly over approximately ten seconds on a plain solid-colour background. I will supply the source image and specify the background colour once we begin. Feel free to use After Effects, Blender, Houdini, or any comparable VFX toolchain—as long as the motion looks natural and the debris scales convincingly from pebble size to fine particulate. Deliverables • 10-second 1280×720 video file (H.264 or ProRes) • An optional lossless render or project file so I can tweak colours later I’m happy to give quick feedback on early drafts to nail the timing an...

...at the very front of the body, first breaking into small stone-like fragments, then crumbling further into fine dust that finally disappears so the entire figure vanishes. The original background must stay visible and untouched throughout, and the palette should feel completely natural—no stylised or monochromatic tints. I’m open to whichever tool gives the best result (After Effects, Blender, Houdini, or similar), as long as the motion feels physically believable: weighty stones, lighter debris, and finally drifting dust that dissipates cleanly. Please pace the effect so the viewer can clearly see each transition before everything is gone. Deliverables • Final video in a widely-supported format (H.264 MP4 preferred). • Source project file so I can revis...

VFX artist ...and other dynamic elements for video projects. • Color Correction & Enhancement: Adjust color, lighting, and visual style to match project requirements. • Template & Asset Management: Develop reusable After Effects templates and manage project assets for efficiency. Required Skills • Expert proficiency in Adobe After Effects. • Hands-on experience with industry-standard software such as Houdini, Nuke, and Maya. • Familiarity with other Adobe Creative Cloud tools (Premiere Pro, Photoshop, Illustrator). • Strong understanding of compositing, keyframing, and animation principles. • Ability to create and use After Effects templates and expressions. • Attention to detail and ability to work under tight deadlines. &...